Viewing Room
(Re)assemblage: The 2025 EFA SHIFT Cohort Exhibition
June 12–July 26, 2025
Hours: Tue–Fri, 12–5 pm

(Re)assemblage
Installation view at EFA Studio Program, New York, 2025

Hawu Lim, 2716 Norris Avenue-27, 2020, Graphite and wax pastel on paper, 8.25 x 11.6 inches

DW Zinsser, bathroom study, 2025, Ceramic, beeswax and syringe caps on panel, 4 x 6 x 1.8 inches

DW Zinsser, nug I, 2025, Pen and acrylic on paper on panel, 12 x 16 inches

(Re)assemblage
Installation view at EFA Studio Program, New York, 2025

(Re)assemblage
Installation view at EFA Studio Program, New York, 2025

(Re)assemblage
Installation view at EFA Studio Program, New York, 2025

Stephen Lau, Grade A (for display only), 2025, Epoxy clay, aluminum, plywood, LED lights, acrylic sheet, rubber, spray paint, casters, 60 x 38 x 25 inches

Hawu Lim, 2714 Norris Avenue-66, 2025, Graphite, oil pastel and wax pastel on paper, 49.75 x 39.5 inches

(Re)assemblage
Installation view at EFA Studio Program, New York, 2025

Installation view, Stephen Lau, Display Portion #1, Display Portion #2, Display Portion #3

DaeQuan Alexander Collier, NOTHING TO LOSE, 2025, Wood, vinyl, standard-definition video (color, sound;, 5:31 min.), LCD monitor, glass, 32 x 48 x 18 inches

Stephen Lau, Rat, 2023, Polymer clay, armature wire, scalpel blades, 10 x 6 x 2.5 inches

DaeQuan Alexander Collier, ALONEEEEEE / YOU HAVE NOT UNLESS YOU ASK NOT, 2025, Wood, objects in various media, standard-definition video (color, sound; 1:51 min.), LCD monitor, 36 x 24 x 3 inches



DaeQuan Alexander Collier, AN ORAL HISTORY, 2025, Concrete, wood, cement, standard-definition video (color, sound; 13:25 min.), LCD monitor, 38 x 26 x 14 inches

Stephen Lau, Meat-to-Bone Ratio, 2025, Epoxy clay, polymer clay, acrylic, rubber, armature, wire, grommets, acrylic hardware, 24 x 18 x 5 inches

DaeQuan Alexander Collier, a place in the sun, 2024, Video, 15:18

Hawu Lim, 2714 Norris Avenue-53 (Purple Chair), 2020, Graphite and watercolor on paper, 7.7 x 5 inches




















Contact: Danielle Mann
Photo credit: Argenis Apolinario